ROK
Divna Jovanović (Kino klub »Beograd«)
Jugoslavija/Yugoslavia, 1960, DVD, 3’
Fantazija, ki vključuje kombinacijo glasbe, giba in barve.
A fantasy involving the combination of music, movement and colour.
ČAS VAMPIRJEV / VREME VAMPIRA / THE TIME OF THE VAMPIRES
Nikola Majdak (Zagreb film/Dunav film)
Jugoslavija/Yugoslavia, 1971, 35mm, 8’30’’
Na robu pokopališča v neki srbski vasi se pijani gostje bližnje krčme srečajo z lokalnimi vampirji. Vprašanje je, kdo bo potegnil kratko.
On the edge of a cemetery in a Serbian village drunken guests from a near by pub meet the local vampires. Who gets away with it?
23
Dragiša Krstić (Dragiša Krstić)
Jugoslavija/Yugoslavia, 1976, DVD (super8), 11’
Ideja filma je poskus prikaza nesvobode mišljenja in verbalnega izražanja skozi igrano-animirano obliko. Film je eksperimentalnega značaja, z omejenimi tehničnimi sredstvi poskuša voditi dnevnik, s pomočjo katerega komunicira z okolico.
The idea of the film is to point at the lack of freedom of speech and thought in the form of the animated fiction. The film is experimental and the filmmaker tries to write a public journal with limited technical resources to help him communicate with society.
ŽUŽELKA / BUBA / THE BUG
Jelena Bešir (Dunav film)
Jugoslavija/Yugoslavia, 2001, BetaSP, 9’
Fascinantna metaforična, fantazmagorična zgodba o iskanju samega sebe. Žuželka je animacija. Prostori, ki gredo mimo, avtoričina življenjska obdobja, dokler ne ugotovi, kaj želi početi v življenju …
This is a fascinating metaphorical phantasmagorical story about self-searching. The bug is an animation. Passing rooms and filmmaker’s life phases until she realizes what she really wants to do…
SINTETIČNI HUMOR / SYNTHETIC COMEDY
Črt Škodlar (Viba film)
Jugoslavija/Yugoslavia, 1967, 35mm, 9’
Eksperimentalni film: abstraktni liki v gibanju, ki v posebnih avdiovizualnih odnosih predstavljajo simbole, ti pa gledalca spomnijo na že znane, konkretne pojave.
This is an experimental film: abstract characters in movement represent symbols in special audio-visual relations; the symbols then remind the spectator of familiar, concrete phenomena.
MOČVIRJE
Koni Steinbacher (Viba film)
Jugoslavija/Yugoslavia, 1976, 35mm, 8’
Na obali močvirja sedi Suhi in uživa v branju knjige. Idilo mu kvari Debeli, ki kljub opozorilom Suhega hiti na dno močvirja, kjer vidi neomejen prostor za pravo življenjsko uživanje. Plava proti dnu, toda Suhi ga z vso svojo močjo vleče nazaj in pri tem žrtvuje svoj zaklad – knjige.
Thin sits on the verge of the swamp and enjoys reading a book. The idyll is interrupted by Fat, who wants to go to the bottom of the swamp, despite the warnings; he sees there an unlimited space to enjoy life. He swims towards the bottom, but Thin uses all his strength to drag him back and sacrifices his treasure – his books.
POLJUBI MEHKA ME RADIRKA / KISS ME GENTLE RUBBER
Zvonko Čoh (Viba film)
Jugoslavija/Yugoslavia, 1984, 35mm, 5’
Nova kombinacija figurativne risbe, ki je postavljena v klasičen likovni prostor, in nadrealističnih vsebin, ki nastanejo s pomočjo metafor in asociacij. Klasične junake animiranih filmov zamenjajo različni gibi konstruiranih in oživljenih figur. Razna bitja, mešanice strojev, rastlin in predmetov tekmujejo v teku in na koncu nastopijo v glasbeno-artistični točki.
A new combination of figurative drawing, placed in a classical artistic frame and having surrealistic contents formed with metaphors and associations. Classical heroes of animated films are replaced with different motions of constructed and revived figures. Various beings, part machine, part plant, part object, take part in a running competition. At the end they all perform in a musical act.
NI VSE PTICA, KAR LETI / NIJE PTICA SVE ŠTO LETI / IT IS NOT A BIRD ALL WHICH IS FLYING
Borislav Šajtinac (Neoplanta); Jugoslavija/Yugoslavia, 1970, 35mm, 9’; Vir/Source: arhiv mednarodnega festivala kratkega filma Oberhausen/Archive of the International Short Film Festival Oberhausen
Zgodba o človeku in njegovem koncu. Ogromen ptič sistematično napada nedolžnega meščana, dokler popolnoma ne uniči njegove lastnine in življenja samega. To je simbol zla, ki se nenehno reproducira v senci moči in nasilja.
The story of a man and his end. A huge bird systematically attacks an innocent citizen until it has completely destroyed his property and his life itself. This is the symbol of evil, which invariably reproduces itself in the shadow of strength and violence.
FENIKS / PHOENIX
Petar Gligorovski (Vardar film)
Jugoslavija/Yugoslavia, 1976, 35mm, 11’
Film po motivih pesmi Barbara Jacquesa Preverta. Ptič si napravi gnezdo in sedi na njem. Iz gnezda zraste mesto po preobrazbi njegove prostornine. Pojavi se na jajcu, ki se preobrazi v oko, kjer se lahko uzre morje, in po tej preobrazbi pride naslednja; tokrat sta to ženska in moški. Potem se pojavita ljubezen in rojstvo in iz gnezda ponovno zraste mesto. Videti je znamenja kataklizme.
After the motifs of the poem Barbara by Jacques Prevert. A bird makes a nest and then sits over it. A city has arisen from the nest after a transformation of its volume. It appears on egg which transformed into an eye where a sea could be seen and after that another transformation has came but this time it is a woman and a man. A love and a birth have come next and the city has arisen again from the nest. The sings of cataclysm are already noticed.
PET FILMI IZ RAKA / FIVE FILMS OF A HAND
Darko Marković (Vardar film)
Jugoslavija/Yugoslavia, 1977, 35mm, 4’
S pantomimičnimi gibi roke se pojavi pet tem: ljubezen, popačenost, govorništvo, socialni problemi in sklepanje prijateljstev.
By pantomimic movements of the hand, five themes are shown: love, corruption, oratory, the social problems and making friends with the people.
NOKTURNO / NOCTURNO
Vefik Hadžismajlović (Sutjeska film)
Jugoslavija/Yugoslavia, 1964, BetaSP (35mm), 5’
Na zvezdnatem nebu nad strehami mesta se odvijajo nenavadne sanje: dekle cvet, katere oblike se razstavljajo ter ponovno sestavljajo, naleti na tri primere dolgočasja in osamljenosti.
In the sky full of stars above the rooftops of the city there is a strange dream: a girl-flower, whose shapes and forms fall apart and became one again, comes across three examples of boredom and loneliness.